「隸透紙碑」，以隸書和魏碑作為創作核心，呈現陳奕君研究清末碑學書家張裕釗（1823-1894）的成果，展出高中到研究所期間的書法作品。企圖在傳統書法筆墨元素中，與新的格式和自我生命歷練相融合，嘗試表現與以往學習不同的新面貌。
聚焦賞析：「江漢天聲傳冀北，蓮池妙腕掩瀛東 。」張裕釗先後在河北蓮池書院與武昌江漢書院掌教，書風影響及於河北與日本，本展作品試圖以張氏外方內圓的筆法結體與濃墨漲墨來呈現。
　
The clerical script and Wei inscriptions are the core inspirations of Penetration. Chen Yi-Jyun’s has studied Chang Yu-Chao’s (1823-1894) calligraphy style for years, and this exhibition is a showcase of the study. The exhibition includes her work from high school to graduate school. This is her attempt to fuse a new style with her life experience within the traditional calligraphic elements and to bring herself to a new level.
Focus：Chang Yu-Chao taught at Lotus Academy in Hebei Province and Jianghan Academy in Wuchang. The wide influence of his style reached Hebei Province and Japan. This piece is an attempt at Mr. Chang’s calligraphy style of rigid form with rounded spirit with the thick ink penetration.