『彼岸花，開彼岸，只見花，不見葉。』
本系列創作引用東方文學中的隱喻花卉－曼珠沙華，盛開於陰曆七月為黃泉路上唯一風景，能喚起亡者生前的記憶，因此亦被稱為彼岸花。提取花語中的文學層面，本系列作品探求愛與傷痛的敘事展現，作品意象引領觀者探討其自我指涉的面貌，帶有情感中孤獨、遺忘、漂泊、死亡的意味。
聚焦賞析：彼岸花生長在荒嶺野塚，華美燦爛卻孤冷寂寥；藉由文學中的神話意涵，指涉當代人們情感面的孤獨與漂泊感，以及對歸屬的渴望。
"Bian Flowers; Blossoming Only in the World of the Dead; They Blossom when Leaves Wither."
This series of artworks are created based on the metaphorical flower commonly used in Eastern literature – the red spider lily. It blossoms in the seventh month on the Lunar Calendar and is the only scenery along the road of the dead. It brings back the memories of the dead, thus is also called Bian Flower (flowers that blossom in the world of the dead). The artist uses its literary meaning to create this series which explores the description of love and pain. The images of the artworks will lead the audience to explore their self-reflective images which carry the human emotions of feeling lonely, being forgotten, wandering around and dead.
Focus：Bian Flowers are grown in the wild, around deserted tombs. They are glorious and splendid, yet all alone; their mythical meaning is used to imply the loneliness and the drifting that modern people feel as well as their yearning to belong.