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展覽活動_展覽回顧

朝顏迎春─花鳥研習A班學員工筆聯展

活動期間 :96-1-26~96-2-26
地點 : 南海戶外藝廊
展覽單位 : 國立臺灣藝術教育館藝術教育研習花鳥A班

花鳥畫的興起,早在兩漢及魏晉時期即有,其獨特的表現形式在當時只是一種附屬於人物背景或裝飾在工藝品上的一種視覺形象,到了五代、宋朝才成為獨立的畫科。
工筆花鳥的繪畫形式分為鉤勒填彩及沒骨法兩種,其嚴謹細膩的線條表現,柔和典雅的設色,形式風格與歐美宮廷繪畫及日本浮世繪均在繪畫歷史上有其一定的影響。
這次展出的作品全是學員辛勤努力的成果,及林淑女老師細心的指導,觀者可從每一片花瓣的“暈染”中看出端倪。藉由這次展出,希望能將美的訊息傳遞給喜愛工筆畫的同好,歡迎參觀。
The rising of flowers and birds paintings was as early as in Han dynasty (around 206 B.C.–220A.D.) and Wei-Chin Period (around 220–419 A.D.), with its unique performance form that was only a kind of vision image attached with portrait/background or as decoration on handcrafts at that time but until around Five Dynasties (907-959A.D.) and Song Dynasty (960-1127A.D) became an independent painting subject.
Elaborated style of flower and bird painting is classified in its painting form for two types as outlines with colour filling and mogu. Its exact and fine outline performance with tender and classic colour tune as its form and style together with court paintings in Europe and Ykiyo in Japan brought a certain impact on painting history.
The works under this exhibition all are achievements from hard work of students and attentive instruction of teacher Mr. Lin Shu-nu. The visitors could see clues from the "blur dye" of each petal. Through this exhibitions, we hope to pass messages of beautify to those who also are in favour of paintings in elaborated style. We welcome your visit.

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