宇宙間的森羅萬象，其數雖無量無邊，卻總不出精神和物質兩大部分，而物質本身即存有成、住、壞、空，不斷變化的特性，包括人身、山嶽、深海皆如此，可見萬法無常，無有一物可為依靠。藉由具象寫實之平面繪畫，選擇以「人」與「自然」等元素，做實驗性的組立融合，局部帶入中國山水畫之構成形式，在創作過程中體悟「無常」，刻畫「無常」，企圖帶給觀者另一種視覺感受，同時了解具宗教性之意涵。

In the universal nature, there are two large parts: spirit and substance, and the latter exits unceasing changeable characteristics such as success, residence, badness and emptiness which conclude human bodies, mountains, deep seas. All the rules are variable, and no matters can be relied on. On the strength of concrete and realistic plane paintings, the essences of "human" and "nature" are selected to be in an experimental combination, parts of which are formed in the way of Chinese landscape, and "ever-changing" is realized and depicted in the course of creation, intending to bring the audience another vision feeling, and make them learn the religious meanings at the same time.