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展覽活動

彩繪人生~花之舞

活動期間 :97-2-2~97-2-26
地點 : 南海戶外藝廊
展覽單位 : 國立臺灣藝術教育館藝教研習花鳥A班

工筆花鳥的繪畫形式分為鉤勒填彩及沒骨法兩種,其嚴謹細膩的線條表現,柔和典雅的設色,形式風格與歐美宮廷繪畫及日本浮世繪均在繪畫歷史上有其一定的影響。而花鳥畫的興起,早在兩漢及魏晉時期即有,在當時只是一種附屬於人物背景或裝飾在工藝品上的一種視覺形象,南唐至宋朝工筆花鳥畫達到一種極致並盛行,其獨特的表現形式,使其成為獨立的畫科。
這次花鳥工筆A班展出的作品,全是學員們辛勤努力的成果,及林淑女老師細心的指導,從每一片花瓣的“暈染”中,觀者可體會學員之用心與努力。藉由這次展出,希望能將美的訊息傳遞給喜愛工筆畫的同好,歡迎參觀。
Very fine and delicate drawings of flowers and birds can be categorized into two: one is outline drawing and colouring technique; the other is spineless technique. Like European imperial paintings and Japanese woodcuts, the Chinese fine and delicate drawings' strictly fine lines, gentle and graceful colouring, form and style have also had important impact. The drawings of flowers and birds started from East Han and West Han, in the Wei and Jin periods. At that time, they only represented a kind of visual images as a background for figures or decorative handcrafts. From South Tang until Song Dynasties, they reached their climax and popularity. Then, their unique representation made them become an independent painting form.
This time, all the works that Class A of Fine Drawings of Flowers and Birds presents are made by its members' efforts and delicately supervised by Ms Shu-nyu Lin. From brush stroke of a flower petal, the viewers can sense the members' efforts. Through this exhibition, it is hoped to deliver the message of beauty to fine and delicate drawing lovers. We welcome your arrival to take a look.

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