瑟曾是中國古代最重要的弦樂器之一。但其演奏方法已失傳了近千年，丁承運教授經過多年的研究，發掘出了古瑟的定弦與演奏法。這次失傳千年的古瑟的公演，音樂會採用琴瑟和鳴的方式演奏。丁承運教授的古瑟複制及其彈法的發掘，加上丁夫人對古瑟細膩地演繹，使“琴瑟友之”成為可能。
音樂會琴瑟和鳴的另一個形式是弦歌。弦歌這種形式來源非常久遠，彈奏的樂器就是琴和瑟，但弦歌種形式也早已隨着瑟的衰微而失傳了。這次音樂會弦歌再吟，可以使觀眾聆聽到古弦歌一唱三嘆的遺韻。
“Se” is one of the important stringed instruments of ancient China. However, its way of playing has failed to be handed down for near thousand years. Prof. Ting Cheng-Yun found the tuning of and the way of playing for the ancient “Se” through research for many years. For the performance in public of ancient “Se”, which failed to be handed down from thousand years, playing the Qin and the Se together is adopted in the concert. Prof. Ting Cheng-Yun’s reproduction of ancient “Se”, and findings of its way of playing, plus Mrs. Ting’s exquisite playing of the ancient “Se” to make the harmonious Qin and Se possible.
Another form for Concert “Harmonious Qin and Se” is Xuan Ge. The origin of the form “Xuan Ge” is ages ago and just played by the musical instrument of Qin and Se; however, “Xuan Ge” has failed to be handed down from past generations following the declination of Se. “Xuan Ge” presented in this concert could allow audience to listen to the remained rhyme of ancient Xuan Ge.