舞台上幻化多變的奇異生物，到底是人？還是物？
光環舞集《人物語》是劉紹爐以實驗的精神，以「人」靈活的肢體與呼吸脈動，輕鬆又幽默地與伸縮自如的「物」合為一體。幻想、驚異、詭譎，再一次衝擊觀眾的想像，可以說是劉紹爐舞道的另一絕佳創意作。
現代舞的處境是一個物化的世界。因此，現代舞流傳著一個物的美學，從康丁斯基的點線面開始，歷經包浩斯的物體美學，到「物體的叛亂」、「身體的叛亂」等等，《人物語》是劉紹爐對我們的時代與世界，既天真又生動的一瞥。
座談交流：16：30演出結束後將與現場觀眾進行交流活動，以及現場將開放20名觀眾上台體驗舞蹈的魔力。
　
Are the changeable peculiar things on the stage people or objects?
Taipei Dance Circle's Of Man and Object is a play in which Liu Jhao-lu employs experimental spirit and Man's vigorous limbs and breathing pulses to relaxingly, humorously and flexibly link up with Objects. With fantasy, amazement and absurdity, spectators' imaginations are energized once more. This can be said to be Liu's other extraordinary creative work.
Modern dance is situated in the material world. Therefore it conveys the aesthetics of materialization. From Kaminski's point, line and surface go through Bauhaus' object aesthetics, until "object's subversion," "body's subversion," etc. In Of Man and Object, Liu depicts genuine and moving moments towards the times and the world.
A seminar exchanging ideas will take place at 16：30, after the performance is finished. It will proceed with communication with the audience. At the scene, the opportunity of experiencing magic of dancing on the stage will be offered to 20 people drawn from the audience.